It’s nearing the final moments of the story. The plot finally comes together, clicking into place with excitement, as the last tense section plays through. I wrote It Comes Together with the end of a book or movie in mind, full of lots of a-ha moments, and tons of action. It has ended up one of my finest pieces written, full of pounding drums, furious orchestra, and tense synths. Take a listen:

Here’s the newest Carbon Destruction track (#11 (not 135, contrary to nonexistent belief)), Expanded Collapsation, definitely one of the more experimentalized songs on the album.

I decided to incorporate some French Horn, something I haven’t used much on Carbon Destruction, along with the usual orchestra and synth ensemble. There’s some interesting background percussion as well. Please let me know what you think! And if you like it, tell your friends (or acquaintances, or just some random person in the Walmart parking lot).

The Carbon Destruction Album is now up for sale! For $4.99, you get 10 incredible Electronica, Orchestral, and Mixed Genre music tracks for your enjoyment and pleasure!

Check out the whole album on my Music page.

I’m releasing three new tracks today. Yes, you read that correctly. Three new tracks, all of them electronic or electronic/orchestral hybrids, and all are awesome!

Let’s start out with Carbon Destruction, my idea of what happens when you mix various styles of Electronica, Orchestral, and Rock together. It starts off a bit slow, but builds up, and wait till the last third to get some nice electric guitar:

Next is Arkonia, which I’ll loosely classify as trance, although some elements don’t fit in that category:

And finally, there’s Ceremonial Paradox, a strange mix of styles, with instruments ranging from synth leads, bells, pads, taiko drums, and a solo viola and cello: